Anthony Hopkins battles demons, Colin O’Donoghue wages war against charisma.

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At the very least it’ll make you wary of ski-lift operators and other everyday folks who have some sort of casual control over your wellbeing. That might sound like a paranoid way to live but hey, when was the last time you heard about a paranoiac stumbling into a situation where they could freeze to death or be devoured by wolves all in the same evening? Yeah, that’s what I thought.

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If you enjoy the classic slasher formula and gore that makes the most brutal Mortal Kombat fatalities look like a Hallmark card accompanied by a warm slice of your grandma’s apple pie, you need to get your hands on a copy of Hatchet 2 and drag all your likeminded friends along for the ride.

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Both factions are heading for a portal to the outside world and, wouldn’t you know it, they arrive at exactly the same time.

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Knowing that Let Me In wasn’t so much a horror yarn as it was a study of adolescent turmoil where one of the characters just happens to be a vampire allowed me to enjoy the story much more and raise my appreciation for the original at the same time, a win-win in my book.

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Despite the fact that he’s just a producer on this one, Shyamalan will be getting the lion’s share of attention for its success or failure, which is a shame, because if anyone deserves to see their stock rise in the wake of this outing, it’s Dowdle and not the dude who brought us killer pollen and the most poorly-planned alien invasion in the history of cinema.

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Thankfully, Daniel Stamm’s The Last Exorcism is an original, interesting entry whose only real problem comes in the last five minutes.

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Kids. Man-eating tiger. Hurricane. Boarded-up house. If that combination makes you smile then by all means track down a copy of soon as possible.

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Do you like gore? Do you like boobs? Do you like extra servings of gore and boobs?

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There are flashier ways to hack off limbs, sure, but why mess with what works?

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